"Ruh-Navesht— Writings of Soul

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Love and Nature

 Nature, in its vast silence and eternal rhythm, does not unveil itself to every gaze. Mountains rise for all, rivers flow before all, yet their inner meanings are disclosed only to a chosen few—the lovers. According to the philosophical vision of Allama Iqbal, the universe is not a cold mechanism to be measured, but a living sign to be loved. Beauty is not merely seen; it is recognized. And recognition, in Iqbal’s worldview, is born from love.

The lover’s eye is creative. It does not passively observe nature but enters into dialogue with it. The stars become companions, the wind a confidant, the earth a trust. For the indifferent observer, nature is scenery; for the lover, it is revelation. Iqbal repeatedly reminds us that the secret of the universe is not unlocked by intellect alone. Reason can count the waves, but love alone can hear the ocean’s prayer. Thus, beauty is not an object outside us; it is a response awakened within the heart.

This philosophy naturally leads to Iqbal’s profound understanding of marriage. For him, love is not a fleeting emotion nor a poetic luxury; it is a force of creation. Marriage, therefore, is not merely a social arrangement or biological necessity—it is the disciplined continuity of love, the training ground of the self (khudi). In a true marriage, love is refined, tested, and elevated from passion into responsibility. It is here that love learns patience, sacrifice, and vision.

Just as nature reveals itself only to the lover, human beings reveal their deepest potential only within a loving bond. Marriage provides a moral and spiritual space where love matures rather than dissolves. It prevents love from becoming self-centered and transforms it into a shared journey toward higher purpose. In Iqbal’s philosophy, the self grows not by isolation but by meaningful attachment. Marriage anchors love in reality, giving it roots so it may rise like a tree rather than vanish like a scent.

Moreover, Iqbal views the universe itself as moving toward unity and harmony. Marriage reflects this cosmic principle on a human scale. It is the meeting of two selves who do not annihilate each other but strengthen one another. Through mutual love, man and woman learn to see the world not as a battlefield of desires but as a field of trust. Children born of such unions are not merely biological continuations; they are carriers of vision, inheritors of love trained by discipline.

In a world increasingly dominated by consumption, speed, and emotional exhaustion, Iqbal’s philosophy stands as a warning. When love is detached from commitment, beauty fades. Nature becomes mere resource, relationships become temporary, and the human soul grows restless. Marriage, in its true sense, restores depth to love and meaning to beauty. It teaches the eye to see again, the heart to listen again, and the self to rise beyond momentary pleasure.

Thus, the beauty of nature and the necessity of marriage are not separate truths but one philosophy. Love is the key to both. Without love, nature is silent; without marriage, love remains incomplete. In Iqbal’s vision, the lover who commits, who binds love with responsibility, becomes capable of witnessing the universe as it truly is—not a chaos of matter, but a meaningful, God-directed song.

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